© Ghetto Fighters' House / Boris Kowadlo
Boris Kowadlo - ‘Everything is grey and terrible’
“In Amsterdam, there seems to be less Nazi terror and you see more and more people coming out of hiding and going out onto the streets. But we have to be very careful; there could be a raid at any time. Up to now I’ve only been out on the street once.
We walk through the Jodenbreestraat, over the Daniël Meijerplein and the Weesperstraat.(…) Many houses have been destroyed, whole blocks. A lot has changed: before you could find all the big Amsterdam shops here. It was a wealthy neighbourhood; all the wealthy Jews and Jewish tradespeople lived here. But unfortunately they have all been deported to Poland or other concentration camps.
On the Muiderplein there is no one, everywhere is abandoned. Walking down the streets you feel the emptiness. It used to be lively and there was laughter but now everything has changed and you can see the Jewish tragedy: everything is dead. There aren’t any Jews anymore. Everything is grey and terrible.”
When Kowadlo dares to go onto the street again in the last few months before the liberation he starts helping the illegal organization the Verborgen Camera (the Hidden Camera). This group of about 30 photographers was established around Dolle Dinsdag (Crazy Tuesday) on 5 September 1944. Their aim is to photograph the liberation, but that doesn’t happen yet. Instead, hunger and resistance become the most important subjects.
On 24 April 1945 Boris Kowadlo just manages to escape when the Nazis catch him taking photographs. He runs way and they shoot. He’s captured and is taken to the building which houses the Groote Club (Big Club). He is interrogated but set free. Probably because his false papers are very good and he doesn’t look Jewish.
Source: Boris Kowadlo: fotograaf tussen herinnering en toekomst by Bernadette van Woerkom. Translated from Yiddish by Ariane Zwiers.
Boris Kowadlo
Boris Kowadlo, a Polish Jew, arrives in Amsterdam in the 1930s. Because of the economic crisis, it is difficult finding work as a photographer. During the occupation he goes into hiding and in the last months before the liberation he works for an illegal organisation known as the De Ondergedoken Camara (the Hidden Camara). After the war Kowadlo publishes an impressive series of photographs of the Jewish neighbourhood which is completely empty and bare.
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